Notes on our Announcements
All times given in Eastern Standard Time
All events are free and open to the public
For more info and parking, email: holgen@ramapo.edu.
Fall 2026 Events
“The Holocaust by Bullets in Ukraine: A Photograph, a Family, a Massacre Revealed,” with Dr. Wendy Lower
Tue., Sep. 8 at 7:30 via Zoom ()
Join us for a fascinating discussion in preparation for our forthcoming exhibition, “The Landscape of our Memory.” Please join us for the opening on Wed., Sep 16 from 5:00 pm to 7:00 pm in the Kresge Gallery.
Dr. Lower鈥檚 latest book,听, investigates a single photograph鈥攁 rare 鈥渁ction shot鈥� documenting the horrific final moment of a family鈥檚 murder in Ukraine. Through years of forensic and archival research, Lower sought to uncover the identities of the photographed and in the process recovered new details about the Nazis鈥� Holocaust by Bullets in eastern Europe, the role of the family unit in Nazi ideology, and a rare case of rescue and postwar justice.
奥别苍诲测听尝辞飞别谤听is the John K. Roth Professor听of听History at Claremont McKenna College. She chairs听the听Academic听Committee听
and has published several books on the Holocaust in Ukraine including听Nazi Empire-Building and the Holocaust in Ukraine听(2005),听and听co- editor听(with Ray Brandon)听of听Shoah in Ukraine: History, Testimony, Memorialization (2008). Her work on听gender and the Holocaust,听Hitler’s Furies: German Women in the Nazi Killing Fields听(2013) was a finalist for the National Book Award and has been translated into 23 languages. Lower’s听The听Ravine: A Family, A Photograph, A Holocaust Massacre Revealed听(2021) received the National Jewish Book Award in the Holocaust category and was shortlisted for the Wingate听Prize,听 and longlisted for a PEN.听Lower just co-authored with Jonathan Petropoulos,听Himmler鈥檚 Last Days: The End of Nazi Terror, appearing in 2027 with Mariner Books.
Witness and Living Memorial Tree
Gabriela Buli拧ov谩 and Mark Isaac
An听exhibition commemorating the “Holocaust by Bullets” and its more than two million victims.
The Landscape of our Memory is a haunting and original exhibition by Prague artists Gabriela Bulisova and Mark Isaac. It is part of a long-term project that addresses the 鈥淗olocaust by bullets鈥� by commemorating the more than 2 million people who were murdered in or near their hometowns rather than in death camps. As every technique is rooted in the landscape, the project has an environmental sensibility that suggests a relationship between genocide and ecocide. (More on the ).
Anthotype Portrait
Gabriela Buli拧ov谩 and Mark Isaac are multidisciplinary artists who collaborate on intimate projects designed to bridge the gap between fine art and documentary practices.
With Gratitude to our Co-Sponsors
- Center for Holocaust and Genocide Studies, 果冻传媒 College
- 果冻传媒 College Art Galleries and the Berrie Center
- , Stockton University
鈥�… Cursed be the ground because of you; By toil shall you eat of it all the days of your life鈥� until you return to the ground鈥攆or from it you were taken. For dust you are, and to dust you shall return.鈥� 鈥� Genesis 3:17-19听
鈥淲hat have you done? Hark, your brother鈥檚 blood cries out to Me from the ground! Therefore, you shall be more cursed than the ground, which opened its mouth to receive your brother鈥檚 blood from your hand. If you till the soil, it shall no longer yield its strength to you. You shall become a ceaseless wanderer on earth.鈥� 鈥� Genesis 4:10-12*
The Landscape of our Memory questions the artificial separation of blood and soil. So too do the Edenic allegories, which open in divine harmony. We meet the earth as the material source of human life and the physical locus of its oblivion. The first humans鈥攖he parents of us all鈥攁chieve discernment, against their creator’s will. Humanity thus learns to distinguish (and therefore must choose) between good and evil, and between the necessity of life and inevitability of death. No longer in balance with nature, much less each other, we sweat against the land, suffer for new life, and fear for our earthen bodies. Terror leads Cain, the first human child, to murder his younger sibling. The latter鈥檚 blood鈥攈is lifeforce, in biblical terms鈥攃alls to the heavens from the very earth into which it should have naturally returned. Human hands rent the vestiges of prelapsarian harmony, and so we carry the curse of alienation from the earth and each other.听
One by one, the Nazis and their collaborators shot to death over two-million Jews and members of other targeted minorities, notably Roma, as they built an empire of blood and soil across Eastern Europe. They sought to resolve existential fear by rendering humanity into distinct races arranged along a hierarchy of moral worth. The intimacy of these murders scarred the earth, like the mass graves they left behind. Generations later, they reveal Cain鈥檚 lasting mark upon us.
With The Landscape of our Memory, Gabriela Buli拧ov谩 and Mark Isaac offer stunning glimpses of reharmonization. They help us sense the blood that still calls out from the killing fields of the Holocaust, flows through nearby rivers, and whistles among trees that witness but cannot see. Anthotype victim portraits, created with flora from sites of mass murder, reterritorialize the dead and imbue earthen materials with lives cut short. Through the artists鈥� edenic lens, genocide and ecocide appear almost indistinguishable. The Landscape of our Memory points to the fundamental wholeness of our world and humanity, at a moment of profound rupture鈥攁 reminder of the responsibility we collectively assumed when we endeavored, in our imperfection, to tell good from evil.
The Center for Holocaust and Genocide Studies at 果冻传媒 College of New Jersey (CHGS) is committed to helping its students and patrons approach humanity鈥檚 greatest horrors through the arts. As the preeminent Holocaust scholar and survivor Yehuda Bauer (1926-2024) indicated in Rethinking the Holocaust, a handful of academic disciplines cannot fully satisfy our need to understand and work through the Holocaust (along with other genocides and mass atrocities). We also depend, he explains, upon the vision of the artist, the wisdom of the philosopher, and the care of the therapist. It is an honor to have worked with so many talented organizations and individuals to bring this exhibit to life. On behalf of CHGS, I would like to thank Gabriela Buli拧ov谩 and Mark Isaac for their kindness, generosity, and cooperation, not to mention their artistry. We are grateful to Sydney Jenkins, Robert Modafferi, and the 果冻传媒 College Galleries. CHGS also owes special thanks to Irvin O. Moreno-Rodriguez and our colleagues at the Sara & Sam Schoffer Holocaust Resource Center at Stockton University.听
* Translation from the听Revised JPS Edition听(2023).
Convo: Gabriela Bulisova and Mark Isaac (Prague)
Join us for an informal conversation with the artists who created听The Landscape of our Histories, a fantastic, multimodal exhibition commemorating the victims of the “Holocaust by Bullets” and pointing to the entwinement of genocide and ecocide.
This talk will appeal to students, faculty, staff, and community members interested in the artistic process, managing a career as a working artists, producing art in foreign countries, and the personal connections of the artists to their work.
The Landscape of our Memory听will open on September 16, with a reception from 5:00-7:00 pm in the Kresge Gallery at 果冻传媒 College. The exhibition will remain open through December 4, 2026.
In 1912, Chawa Z艂oczower, a Jewish Polish immigrant made her way to the US and soon helped publicize the anarchist speeches of Emma Goldman. Later, Z艂oczower took the name Eve Adams, and toured America, getting paid to sell radical leftist magazines. In 1925 she published a unique, pioneering book, Lesbian Love, containing stories of women she had met. Her activism drew the Ire of US FBI Director J. Edgar Hoover, ultimately leading to Adams鈥� deportation back to Poland and tragic murder in Auschwitz. Join Jonathan Ned Katz, historian and author of the 2021 biography, The Daring Life and Dangerous Times of Eve Adams, for a conversation about Adams鈥� adventurous life, his work to uncover her story as a vibrant resistor, and what it means in today鈥檚 troubled social world.
This event is part of the 2026-27 (KHC) and National Endowment for the Humanities Colloquium (NEH), 鈥淪torytelling in/as Resistance.鈥� The CHGS at 果冻传媒 College is a proud cosponsor.
This will be a virtual talk (with an in-person option in Queens). We will post a Zoom registration link ASAP.
The first written account of an anti-Jewish folktale is a tale of English or German origin, published in 1228. From the Middle Ages to the Modern Era, these folktales helped fuel the anti-Jewish prejudice prevalent within and beyond Western society. By the nineteenth century, the tales assisted in paving the way for anti-Judaism to transition into antisemitism; subsequently, the Nazis were then able to capitalize on these stories as objects of antisemitic propaganda. Join Dr. Sofia Lago, Lecturer of English for Academic Purposes at Suzhou University, for a discussion about how these counternarratives served to inflame rampant antisemitism perpetuated by Hitler鈥檚 Nazi party.
This event is part of the 2026-27 Harriet & Kenneth Kupferberg Holocaust Center (KHC) and National Endowment for the Humanities (NEH) Colloquium, 鈥淪torytelling in/as Resistance.鈥� CHGS is a proud cosponsor.
More information and registration link will appear soon.
Previous Years’ Programs
Lectures and Programs, 2025-2026
Lectures and Programs, 2024-2025
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